City Lights - Wikipedia. City Lights is a 1. American pre- Codesilentromantic comedy film written, directed by, and starring Charlie Chaplin. The story follows the misadventures of Chaplin's Tramp as he falls in love with a blind girl (Virginia Cherrill) and develops a turbulent friendship with an alcoholic millionaire (Harry Myers). Although sound films were on the rise when Chaplin started developing the script in 1. 1931 AUGUST 1931 1 SUN. Easily share your publications and get them in front of Issuu’s millions of monthly readers. DOI : 10.3406/geo.1931.11154. Filming started in December 1. September 1. 93. 0. City Lights marked the first time Chaplin composed the film score to one of his productions and it was written in six weeks with Arthur Johnston. The main theme used as a leitmotif for the blind flower girl is the song . Chaplin lost a lawsuit to Padilla for not crediting him. City Lights was immediately successful upon release on January 3. Today, critics consider it not only the highest accomplishment of Chaplin's career, but one of the greatest films ever made. In 1. 99. 1, the Library of Congress selected City Lights for preservation in the United States National Film Registry as being . In 2. 00. 7, the American Film Institute's 1. Years.. 1. 00 Movies ranked City Lights as the 1. American film of all time. In 1. 94. 9, the critic James Agee referred to the final scene in the film as the .
He takes the Tramp back to his mansion and gives him a change of clothes. Early the next morning, they return to the mansion and encounter the Flower Girl en route to her vending spot. The Tramp asks The Millionaire for some money, which he uses to buy all the girl's flowers and then drives her home in the Millionaire's car. After he leaves, the Flower Girl tells her grandmother (Florence Lee) about her wealthy acquaintance. When the Tramp returns to the mansion, the Millionaire has sobered- up and does not remember him, so he has the butler order him out. Later that day, the Millionaire meets the Tramp again while intoxicated and invites him home for a lavish party. The next morning, having sobered again and planning to leave for a cruise, the Millionaire again has the Tramp tossed out. Returning to the Flower Girl's apartment, the Tramp spies her being attended by a doctor. Deciding to take a job to earn money for her, he becomes a street sweeper. Meanwhile, the grandmother receives a notice that she and the girl will be evicted if they cannot pay their back rent by the next day, but she hides it. The Tramp visits the girl on his lunch break and sees a newspaper story about a Viennese doctor who has devised an operation that cures blindness. He then finds the eviction notice and reads it aloud at the girl's request. He reassures her that he will pay the rent. But he returns to work late and is fired. As he is walking away, a boxer persuades him to stage a fake fight, promising to split the $5. Just before the bout, however, the man receives a telegram warning him that the police are after him. He flees, leaving the Tramp a no- nonsense replacement opponent. Despite a valiant effort, the Tramp is knocked out. Some time later, he meets the drunken millionaire who has just returned from Europe. The Millionaire takes him to the mansion, and after he hears the girl's plight, he gives the Tramp $1,0. Unbeknownst to the Millionaire and the Tramp, two burglars were hiding in the house when they entered. Upon hearing about the cash, they knock out the millionaire and take the rest of his money. The Tramp telephones for the police, but the robbers flee before they arrive, and the butler assumes he stole the money. The Millionaire cannot remember the Tramp or giving him the $1,0. The Tramp narrowly escapes and gives the money to the girl, saying he will be going away for a while. Later, he is arrested in front of the newsboys who taunted him earlier, and he is then jailed. Months later, the Tramp is released. Searching for the girl, he returns to her customary street corner but does not find her. With her sight restored, the girl has opened up a flourishing flower shop with her grandmother. When a rich customer comes into the shop, the girl briefly wonders if he is her mysterious benefactor. But when he leaves with no acknowledgement, she realizes again she is wrong. While retrieving a flower from the gutter outside the shop, the Tramp is again tormented by the two newsboys. As he turns to leave, he finds himself staring at the girl through the window. His despair turns to elation and he forgets about the flower. Seeing that he has crushed the flower he retrieved, the girl kindly offers him a fresh one and a coin. Embarrassed, the Tramp tries to shuffle away, but the girl stops him and hands him the flower, which he shyly takes. When the girl takes hold of his hand to place the coin in it, she recognizes the touch of his hand and realizes he is no stranger. Tearful and elated, the Tramp smiles at the girl shyly as the film fades to black. Uncredited: Production. As his own producer and distributor (part owner of United Artists), Chaplin could still conceive City Lights as a silent film. Technically the film was a crossover, as its soundtrack had synchronized music, sound effects, and some unintelligible sounds that copied speech pattern films. The dialogue was presented on intertitles. Chaplin was first contacted by inventor Eugene Augustin Lauste in 1. Lauste. Chaplin was dismissive about . The plot gradually grew from an initial concept Chaplin had considered after the success of The Circus, where a circus clown goes blind and has to conceal his handicap from his young daughter by pretending that his inability to see are pratfalls. This inspired the Blind Girl. The first scenes Chaplin thought up were of the ending, where the newly cured blind girl sees the Little Tramp for the first time. A highly detailed description of the scene was written, as Chaplin considered it to be the center of the entire film. For a subplot, Chaplin first considered a character even lower on the social scale, a black newsboy. Eventually he opted for a drunken millionaire, a character previously used in the 1. The Idle Class. The millionaire plot was based on an old idea Chaplin had for a short in which two millionaires pick up the Little Tramp from the city dump and show him a good time in expensive clubs before dropping him back off at the dump, so when he woke up, the Tramp would not know if it was real or a dream. This was rewritten into a millionaire who is a friend of the Tramp when drunk but does not recognize him when sober. Chaplin officially began pre- production of the film in May 1. Australian art director Henry Clive to design the sets that summer. Chaplin eventually cast Clive in the role of the millionaire. Although the film was originally set in Paris, the art direction is inspired by a mix of several cities. Robert Sherwood said that . It is no city on earth and it is all cities. Chaplin was distraught for several weeks and pre- production did not resume until mid fall of 1. Psychologist Stephen Weissman has hypothesized that City Lights is highly autobiographical, with the blind girl representing Chaplin's mother, while the drunken millionaire represents Chaplin's father. Weissman also compared many of the film's sets with locations from Chaplin's real childhood, such as the statue in the opening scene resembling St. Mark's Church on Kennington Park Road. While seeing a film shoot with bathing women in a Santa Monica beach, he found a casual acquaintance, Virginia Cherrill. Cherrill waved and asked if she would ever get the chance to work with him. After a series of poor auditions from other actresses, Chaplin eventually invited her to do a screen test. She was the first actress to subtly and convincingly act blind on camera due to her near- sightedness, and Cherrill signed a contract on November 1, 1. Principal photography. As a filmmaker, Chaplin was known for being a perfectionist; he was noted for doing many more . The scene took weeks to shoot, and Chaplin first began to have second thoughts about casting Cherrill. Years later, Cherrill said, . Filming the scene continued until February 1. April before Chaplin put the scene aside to be filmed later. He then shot the opening scene of the Little Tramp waking up in a newly unveiled public statue. This scene involved up to 3. Chaplin to shoot. During this part of shooting, construction was being done at Chaplin Studios because the city of Los Angeles had decided to widen La Brea Avenue and Chaplin was forced to move several buildings away from the road. Chaplin then shot the sequence where the Little Tramp first meets the millionaire and prevents him from committing suicide. During filming, Henry Clive suddenly decided that he did not want to jump into the tank of cold water in the scene, causing Chaplin to storm off the set and fire Clive. He was quickly replaced by Harry Myers, who Chaplin had known while under contract at Keystone Studios. Chaplin finished shooting the sequence on July 2. Pasadena Bridge. Chaplin then shot a sequence that was eventually cut from the film involving the Little Tramp attempting to retrieve a stick that was stuck in a wall. The scene included a young Charles Lederer; Chaplin later praised the scene, but insisted that it needed to be cut. He then continued filming the scenes with the millionaire until September 2. In November, Chaplin began working with Cherrill again in some of the Flower Girl's less dramatic scenes. While waiting for her scenes for several months, Cherrill had become bored and openly complained to Chaplin. During the filming of one scene, Cherrill asked Chaplin if she could leave early so that she could go to a hair appointment. Chaplin fired Virginia Cherrill and replaced her with Georgia Hale, Chaplin's co- star in The Gold Rush. Chaplin also briefly considered sixteen- year- old actress Violet Krauth, but he was talked out of this idea by his collaborators. Chaplin finally re- hired Cherrill to finish City Lights. She demanded and got a raise to $7.
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